Studio Equipment
Mixing Console
- Raindirk Symphony LN2
60 channel - 144 inputs on mixdown
-
Tannoy FSM-U Main Monitors
- Dynaudio M1.5 nearfield monitors
- Yamaha NS10m and NS10mm nearfields
- Beyer DT 150 Studio Headphones (x2)
- Beyer DT 100 Studio Headphones (x8)
- 2" 24 track (new one arriving)
- Tascam MS-16 1" 16 track
- Fostex E16 & G16 ½" 16 track (x3)
- Studer A80 RC MKII ¼" stereo
- Studer A80 MKI ¼" stereo
- Tandberg 9100 crossfield ¼" stereo
- Akai 910 ¼" mono valve
- Apple Mac Pro 12 core 24GB RAM
- MOTU 2048 MK III (x3 - 24 analogue inputs)
- Antelope Audio 32HD (32 in & out)
- Logic 9, Studio One Pro, MixBuss
- Many & various plugins
- Retro 176 (valve compressor)
- Spectra Sonics 610 compressor
- TF Pro P38 Stereo Mastering Compressor
- Urei 1176A (blue stripe) by ProReplicas(x2)
- dbx 162 stereo compressor
- dbx 566 dual valve compressor
- TLA C-5051 valve compressor/ eq
- TLA C-5021 valve compressor
- EQP-1a by Cartec (Pair)
- SPL Vitalizer stereo
- Drawmer DS201 gates/filter(x3)
- Akai Valve Mic Pre (x4) 1960s
- EMT 240 stereo plate reverb
- MasterRoom XL-305 stereo spring reverb
- Pioneer R101 Valve Spring Reverb
- Sansui RA-500 spring reverb
- Hammond spring reverb
- Roland SRE-555 space echo
- HH Multi-Echo
- Watkins Copycat
- Yamaha Rev500 (x2)
- TC Electronic M1
- Line6 POD XT Pro
- Alesis Quadraverb Plus
Monitoring
Analogue RECORDING
Digital Recording
Outboard
Reverbs/ Delays
Microphones
- Neumann U87ai
- AKG C414 B-ULS
- AKG C451 EB
- BLUE Baby Bottle
- Electrovoice RE20
- Shure SM57
- Shure SM58
- Shure SM52 beta
- Sennheiser MD421
- Sennheiser 441
- Rupert Neve RNR1 (ribbon)
- Coles 4048 (ribbon)
- RCA B74 (1940's ribbon)
- Reslo Celeste (60's Ribbon)
- Audio Technica 4055
- Audio Technica 4033
- Shure 566s (50's fat boy)
- AKG D25
- Uher M534
- CAD 92
- CAD 88
- SE Electronics SE2a
- SE Electronics SE1a
- Hammond A100 + Leslie 145
- Hammond Porta-B + Leslie 122RV
- Fender Rhodes Stage 73 MK1
- Wurlitzer EP200
- Vox Continental 300
- Hohner Clavinet D6
- Steck upright piano
- Moog Memorymoog Plus
- Yamaha CS-80 (yup, a real one)
- Korg MS10
- Korg BX3
- Korg M1
- Roland VP-330 vocoder
- Roland A90 master keyboard
- Roland D20
- Roland R8m + cards
- AKAI S3000XL
- Yamaha An1x
- Roland JV2080 expanded
- Nord Wave
Vintage Keyboards
Vintage Synths
Amps & Cabs
- VOX AC30 Top Boost
- Egnator Tweaker
- Ampeg SBT + Active Cab (1969)
- Musicman 212-HD (1973)
- Marshall Artiste (1974)
- Polytone Minibrute II
- Roland JC77
- Fender Bassman 100 (4x12)
- Ashdown MAG500
- Fender Champ (modded)
- Watkins Starfinder (2x15)
- Watkins Starfinder (4x12)
- Leslie 145 + Combo Pre-amp
- Leslie 122RV
- Gibson Epiphone Emperor "Joe Pass" 1995
- Fender Stratocaster
- Encore Gibson (modded)
- Kimbara 12 string acoustic
- Fender Jazz Bass copy
- Electro Harmonix Small Stone (80's)
- Electro Harmonix Big Muff (70's)
- Boss T-Wah (70's)
- Korg G4 Leslie Simulator
- Vintage Chorus (80's)
- Vintage Phaser (80's)
- Vintage Distortion (80's)
- Solton Disco Machine (70's)
- Roland DR-55
- Hammond Vari-Rhythm
- Dolby A 361 noise reduction (x2)
- Symetrix 511 noise reduction
- Brainstorm Electronics Timecode Distripalyzer
- Heathkit TT-1A valve/tube tester
Guitars
Pedals
Drum Machines
OTHER Stuff
did you know?
A manager shopped his rock group's demo tape to 3 record labels & all turned it down. At the 4th, the producer listens to the demo, but isn't impressed by the collection of oldies & uninspired originals. But, the unusual vocal arrangements & the band's potential convinced him to invite the group for a recording test. Although he thought the drummer needed replacing & the songs needed work, George Martin liked the group's enthusiasm. He signed them to a 5 year contract within a month of the audition. Martin's suggested changes to John Lennon's arrangement of "Please Please Me" made it an early hit. The band he saved from obscurity: The Beatles & that was the beginning of a 7 year collaboration.